When two become one (and it feels so good)
Rubber, wood, enamel, Dimensions variable, 2024
Transparent tubes quietly occupy the room, rising from the floor, stretching across walls, and connecting with the ceiling. They lightly distort what surrounds them, making the space feel both empty and inhabited. Their clarity creates a tension between presence and absence: they almost disappear, yet their scale and placement make them impossible to ignore.

The work’s ambiguous function deepens this uncertainty. The tubes suggest bodily equipment, useless plumbing, or a play structure, but never settle into one meaning. This tension between utility versus perception asks viewers to question whether the object is meant to work, support, connect, or simply alter how the room is seen. As a closed system exposed in public space, the work turns hidden circulation into something visible, fragile, and strangely bodily.
As much about presence as absence, these transparent tubes distort whatsurrounds them. They feel impossibly delicate yet insistently present. Their ambiguousfunction - evoking enlarged, rendered-useless breast pump tubes or a jungle gym - heightenstension between utility and perception. A closed system exposed through space.
From the artist >
< From Rexhibit
Presence   ✚
Presence
Their clarity creates a tension between presence and absence: they almost disappear, yet their scale and placement make them impossible to ignore.
Absence   ✚
Absence
Their clarity creates a tension between presence and absence: they almost disappear, yet their scale and placement make them impossible to ignore.
Ambiguous function    ✚
Ambiguous function
The work’s ambiguous function deepens this uncertainty.
Utility versus perception    ✚
Utility versus perception  
This tension between utility versus perception asks viewers to question whether the object is meant to work, support, connect, or simply alter how the room is seen.
Closed system   ✚
Closed system
As a closed system exposed in public space, the work turns hidden circulation into something visible, fragile, and strangely bodily.

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Brooklyn, NY
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When two become one (and it feels so good)
Rubber, wood, enamel, Dimensions variable, 2024
From Rexhibit
Transparent tubes quietly occupy the room, rising from the floor, stretching across walls, and connecting with the ceiling. They lightly distort what surrounds them, making the space feel both empty and inhabited. Their clarity creates a tension between presence and absence: they almost disappear, yet their scale and placement make them impossible to ignore.

The work’s ambiguous function deepens this uncertainty. The tubes suggest bodily equipment, useless plumbing, or a play structure, but never settle into one meaning. This tension between utility versus perception asks viewers to question whether the object is meant to work, support, connect, or simply alter how the room is seen. As a closed system exposed in public space, the work turns hidden circulation into something visible, fragile, and strangely bodily.
From the Artist
As much about presence as absence, these transparent tubes distort whatsurrounds them. They feel impossibly delicate yet insistently present. Their ambiguousfunction - evoking enlarged, rendered-useless breast pump tubes or a jungle gym - heightenstension between utility and perception. A closed system exposed through space.
Contact us
Newsletter
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
© 2026 Rexhibit. All rights reserved.