Memories of grocery shopping with his grandmother in New York City’s Chinatown shape this piece. Beheaded ducks recall those seen in neighborhood meat shops, while narcissus and gladiolus bring in mortuary associations. What begins as an everyday reminiscence is reorganized through symbols of misfortune: the ducks and egg forms appear in groups of four, a number traditionally considered unlucky in Chinese culture. The familiar sights of Chinatown are no longer simply remembered as they were. They return through Poon’s own arrangement of memory and inherited symbolism, where ordinary food, flowers, and numbers become connected to luck, death, and loss.