Amid industrial ruins, the performer moves with pipes and rusted walls, sometimes merging with the structures, sometimes resisting them. The silver tube wrapped around the body turns flesh into something mechanical, a body caught between human warmth and cold metal.

The work reflects the idea of a colonized body, shaped by industrial logic and forced to adapt to spaces not made for it. This creates a sense of alienation, where the body no longer fully belongs to itself but to a system of machines and discipline. Yet within these gestures lies a search for redemption. Each contact with the ground, each moment of struggle, reclaims the body’s presence beyond industrial control.

In industrial ruins, the body grafts onto rusted pipes, tearing away the disguise of "industrial masks". The friction between skin and rust is the struggle of a self colonized by mechanical logic. The work challenges: Beneath the masks, do we still remember the warmth of flesh? Can we redeem the unalienated true body from discipline?