A photograph of Miller and his mother is broken apart by a computer model and projected across an abandoned children’s playroom. Their figures dissolve into the stone walls, while hundreds of ball-pit balls spill across the floor. Around the projection are other images from the same family archive, including works that average thousands of family photographs into a single frame.

The room was once made for children, but now stands empty. Miller fills it again with family images that have been changed, combined, or partially lost. In these collapses, thousands of photographs are reduced to one image, causing individual faces and moments to become less clear. The images still hold traces of the people and memories they came from, even as many of their original details disappear.