Infinity
2026, Ink and acrylic on rice paper, digitally edited, 9 × 12 in
Across the cream-colored paper, black, pink, and pale green forms stretch from side to side. Thin branches, sharp points, and rounded details resemble bones, cells, and parts of a creature, but never form one clear object. Luo began without deciding what the image should become. She followed the movement of the colors, letting each new line suggest where to go next. This creates a sense of drift, as one shape leads into another without a clear destination. The title Infinity refers to this open-ended way of working. The image has no obvious starting or ending point, and its forms seem as though they could continue to develop beyond the paper. Here, growth refers to how the image continues to develop as Luo follows the colors and lines, rather than deciding its final form in advance.
Infinity is a long horizontal drift of spiky, sinewy, and cellular forms across a cream ground of rice paper. It reads as a creature, a skeleton, or a current, and refuses to settle into any one of them. I followed the line wherever the floating color led, without deciding where it should stop. The title names that refusal: a form with no fixed beginning or end, still growing.
From the artist >
< From Rexhibit
Line   ✚
Line
She followed the movement of the colors, letting each new line suggest where to go next.
Drift  ✚
Drift
This creates a sense of drift, as one shape leads into another without a clear destination.
Infinity  ✚
Infinity
The title Infinity refers to this open-ended way of working.
Growth  ✚
Growth
Here, growth refers to how the image continues to develop as Luo follows the colors and lines, rather than deciding its final form in advance.

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Infinity
Ink and acrylic on rice paper, digitally edited
9 × 12 in
2026
From Rexhibit
Across the cream-colored paper, black, pink, and pale green forms stretch from side to side. Thin branches, sharp points, and rounded details resemble bones, cells, and parts of a creature, but never form one clear object. Luo began without deciding what the image should become. She followed the movement of the colors, letting each new line suggest where to go next. This creates a sense of drift, as one shape leads into another without a clear destination. The title Infinity refers to this open-ended way of working. The image has no obvious starting or ending point, and its forms seem as though they could continue to develop beyond the paper. Here, growth refers to how the image continues to develop as Luo follows the colors and lines, rather than deciding its final form in advance.
From the Artist
Infinity is a long horizontal drift of spiky, sinewy, and cellular forms across a cream ground of rice paper. It reads as a creature, a skeleton, or a current, and refuses to settle into any one of them. I followed the line wherever the floating color led, without deciding where it should stop. The title names that refusal: a form with no fixed beginning or end, still growing.
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