Large black shapes spread across the canvas, surrounded by twisting red, pink, and white forms. Fine lines cross and connect these shapes, while sand, Chinese lacquer, and gold leaf add texture and layers to the surface. Luo began by letting black paint flow in ways she could not control, then slowly built new forms over it. She compares an extreme opinion to a line that has already been drawn and cannot change. This rigidity is something she recognizes in her younger self, making the painting an act of self-examination rather than a criticism. Here, deradicalization means learning to question beliefs that once seemed certain. Instead of covering up the dark paint completely, Luo keeps adding new layers over it. For her, growth does not mean erasing the past, but accepting what came before while allowing ourselves to change.