A green panel of landscaping fabric, white fencing, black ceramic forms, and bright pink flagging tape come together like a simplified suburban yard. The scene feels familiar, but slightly staged, as if the materials are acting out the rules of a home and its surrounding space. Through this arrangement, Brooklin reflects on the domestic sphere as a place where everyday objects quietly shape how people move, behave, and understand themselves. The work uses lawns, fences, stairs, and textiles to question gender binaries and the roles attached to different kinds of labor. Its layered fences suggest the divide between public and private, while the hidden ceramic staircase asks viewers to shift position in order to see more. In this way, Brooklin turns boundaries into something unstable, opening space for transition, new perspective, and the possibility that another side may truly feel different.
